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Chapter 82: Where Was the Soul of Kunlun in the Past?

Yes, Hulao is so awkward. Except for the school field in front of us, there is no place for large-scale battles.

The stage for the last three-shu dance battle was set here.

Unexpectedly, today, after the envoy from Tianzhu paid an audience with the emperor of China and presented the four beasts and relics, the first scene was another dance fight.

Because Central Tianzhu was conquered many times, the princes formed their own states during this period.

The bloodlines of each royal family are complex, so most of the women are of mixed blood, Yaris, Se, and Kunlun.

Rhinoplasty and big eyes look good from a distance. When you look up close, the details look like a painting.

And that figure, with a slender waist and regular convex and concave shapes, and more than a dozen people dancing in line at the same time, with coordinated and unified movements, looked very beautiful.

When the vassal state performs a dance, the superior state will naturally return the gift.

Although these details seem peaceful and festive, in fact they are all related to the national system.

Fortunately, the King of Wei had already made preparations. He specially hired a court dancer to re-choreograph Mochou's dance, and asked Hu Sengzhi to teach Mochou some Qinggong skills, so that the silk slippery dance could be put on the three-dimensional stage.

More than ten Huangmen climb up and down, vertically and high, on the eight wooden stakes, which are either straight or horizontal, high or low, flat or slanted, and stretch dozens of colorful silks, colorful and eye-catching.

This stage alone made the Tianzhu Mission's arrogance drop.

During the music, Mochou and Liu Ying appeared together. Liu Ying pulled Mochou and climbed up the tallest log.

When he reached the top, Mochou jumped up and down, his clothes and skirts fluttering, and he suspected that Xuannv had fallen into the sky.

As she kept gliding among the colorful silks, Liu Ying occasionally changed positions, lending a helping hand when Mochou needed help to move upward.

Since the dance was specially choreographed, Liu Ying's transition was not noticeable.

In the eyes of the audience, only the girl Mochou is left wandering and flying in the sea of ​​seven-colored silk.

"Gandharva, she must be Gandharva!"

Each of those Tianzhu dancers showed great admiration and crowned Mochou with the title of the God of Dance and the Originator of Feitian.

"I think if Gandharva and Kinnara are mentioned together, they can be compared with Mochou sister."

A woman slowly walked over to the Tianzhu delegation, speaking the language of Northern Tianzhu.

Those Tianzhu dancers were shocked again,

"You, are you from Tianzhu too?

Why are you wearing Chinese clothes?"

The woman smiled and replied,

"My name is Xu Huangyu, and I am originally from Ayotha.

After the fall of the country, he moved here and settled in the Celestial Dynasty.

During these days, I will serve as your accompanying interpreter.

If you have any needs in Dawei, please feel free to ask me.

I will do my best to clear things up for you."

The dancers looked around and found that Wei Guo's reception work was really good, and there were more than ten interpreters alone.

Staying by King Wei's side was King Wei's special translator Yao Sixia.

Responsible for communicating with the monks, there are several Lan Ruoxilai monks led by Master Baonian.

Xu Huangyu was followed by several bhikkhunis with different eye colors and looks. They seemed to have come from the Western Regions.

Those animal trainers have not been forgotten. Yuan Yi has a rare job, so naturally he has to do it properly.

He had calculated the time well in advance and spent a high price to recruit a group of merchants from Sichuan who often used the Tianzhu business route.

Tianzhu is more than a thousand miles away from China, and it only happens once every ten years.

But the King of Wei was able to summon such a lineup of interpreters, with interpreters of different professional status for different members of the mission.

The national power of the Celestial Empire is naturally demonstrated.

The subtext is nothing more than:

In your country and your people, there are many people who admire our heavenly dynasty, and there are many people who are happy to miss Shu.

At this time, the team of dancers had already become disoriented, and there were many people who wanted to stay in heaven.

At that time, Buddhism flourished in the Northern Dynasties.

In Buddhist scriptures, Tianzhu and Jibin are described as being like heaven, attracting many monks to go west to seek truth.

But luckily, once those who seek Dharma from the West return, there is rarely a precedent for them to return to Tianzhu.

As for the missionary monks who came from the west, once they entered the Celestial Empire, very few of them returned.

The Ganges River is a paradise with sand, and the grains on both sides of the Yellow River are fragrant.

Why do so many people abandon the Buddha's kingdom and go to the secular world? Probably because it is easier to fall than to practice.

After the song and dance performances between the guests and the host were over, Da Wei did not lose the place. Yuan Hong was naturally delighted and hurriedly ordered Huangmen to vacate the venue so that both parties could sit down and have a banquet.

The envoy of Tianzhu saw a brocade totem hanging behind King Wei's seat and suddenly let out a sigh.

The totem depicts an ancient image of Fuxi and Nuwa with intertwined snake bodies. The Tuoba family considers themselves to be descendants of Nuwa, so they are often used in royal decorations.

The Holy Minister’s Wonderful Way,

"The picture of the Dragon King and the Dragon Queen hanging behind King Wei's back is actually made of silk. Could it be that it was made by a craftsman from Shangbang?"

After being translated by Yao Sixia, King Wei was also very confused.

"The picture of the harmony between the Dragon King and the Dragon Queen?"

What is he saying?

You are more familiar with Tianzhu culture, so please answer it for me."

Yao Sixia nodded and "translated" to the holy minister,

"This picture is a mating statue of Fuxi and Nuwa in ancient China.

It has been recorded in the grave records for more than a thousand years.

Each of the nine histories of ancient times has its own biography.

Tianzhu is the ancient Rongzhou, and the records in "Fituo" are similar to those recorded in modern Chinese books such as "Shangshu" and "Yuangui".

The so-called Dragon King and Queen of Tianzhu originated from Kunlun.

The theory of the Eight Divisions of Heavenly Dragons is actually an allusion to the history of the Sixteen Kingdoms of ancient Tianzhu.

The head of the eight divisions, King Shakti, is the lord of Capricorn;

The Dragon King is a metaphor for the young Dragon King at the end of the Sixteen Kingdoms, who crossed the Chinese south;

The four asuras are the lords of war;

There is also the demon king Bo Xun of the Sixth Heaven, who is actually saying that Qing Kou Ailao Mountain swept across Tianzhu, defeated and then established..."

Yao Sixia was talking eloquently, and the interpreters at each table were busy talking.

The second translator after King Wei, Gong Sunqing of Shu merchants, was also doing simultaneous transmission.

At this time, everyone knew why King Wei valued Yao Sixia so much.

He is a master of Tianzhu history [Literature Museum www.wxguan.info] who knows the history of Tianzhu very well and talks about it with allusions and allusions.

Only those envoys from Tianzhu secretly wondered, King Wei only said one sentence, but it actually contained so much truth?

The language of the Celestial Dynasty is indeed broad and profound.

However, the details of these origins mentioned by Yao Sixia are quite different from the secrets taught orally in Tianzhu.

The holy minister frowned secretly when he heard this, and finally couldn't help interrupting,

"In the past, the land of the great country was torn apart, and the writing system of our country in India was not yet systematic, so it was difficult to form scriptures.

Since Ji Duo had a state, he had just carried out the affairs of the First Emperor of the Celestial Dynasty, compiled writings, and compiled books and silks.

Although there is an ancient history of "Fituo", it is only passed down by word of mouth, and there are no details like what King Wei said.

I wonder if there is any evidence for King Wei’s claims?”

Yao Sixia glanced at King Wei, who nodded slightly and signaled his permission.

So Yao Sixia said with a loud voice that shook his sleeves,

"I, Yao Sixia, am a descendant of the Fusha royal family of Gujian.

It is true that ancient Tianzhu writing is difficult to form a system, but this is not the case for all tribes.

The Vulcan script and the ancient Cangjie script are both used in some countries.

For example, the talisman carvings on the seal of the Young Dragon Dynasty are far different from the current Ji Duowen.

Written records about the history of Tianzhu have never been cut off in our Jianfusha Kingdom.

It's just that our country was destroyed by the Qinglu, and we were displaced thousands of miles away, so many of the ancient books we have are now incomplete."

The envoy from Zhu suddenly snorted that day,

“I don’t think so, descendants of Jian Fusha!

You are simply promoting the fallacy of Li Shihua Hu!

Is it the etiquette of a superior state to use such words in a diplomatic situation?"

Yao Sixia felt that her drugging was a bit strong,

Although the ancient Tianzhu people came from Kunlun together, they have developed their own culture, which is different from that of China.

Even if there are still some traces of Kunlun culture in the tribes where the ancient Kunlun people thrived,

However, the worldview education I have received since childhood is very different from that in Shanbei, and many facts should not be stated too directly.
Chapter completed!
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