Like a horse, he raised his hand like a student and signaled that he wanted to speak.

Masato Uchizumi nodded.

So he said to the horse: "I want to get the scabbard back."

"Do you want to use Juhe? Yes." The old man said dismissively.

As Kazuma reached backwards, Ponami immediately handed the scabbard to his hands.

After returning the knife to the sheath, he and the horse were slashing in a stance - in fact, the black dragon started with the same move.

The old man looked at Hema's posture and commented: "It looks very standard, but I don't feel the power. The master of Juhezhan will release a strong pressure and make the opponent nervous. You still have a lot to learn."

Hema: "So how can I release my power? Will I let the volcano cooperate with me to erupt?"

Masato Kamiizumi laughed: "That's just a coincidence. It's similar to when it's raining when it's down. When people feel so much, you will only remember this time when it happens to rain, so when you recall it, you will feel that it's raining when it's down."

He Ma couldn't help but look back at the Sakurajima Volcano, which was still emitting more smoke.

"Don't care about the volcano, come on." Masato Uchizumi shouted, "Let me see your Juhezhan!"

After saying that, he launched an attack.

He and Ma were also the only ones, so he made a move: Go and Heilong!

The scabbard flew out directly and rushed towards Shangquan Zhenggang's chest with a thunderous force.

The characteristic of the black dragon's move is that if it is blocked, the scabbard will rotate, and then the blockers will most likely be taught by the spiral scabbard to be a human being.

When Masato Kamizuki saw that he and the horse made a move, he suddenly widened his eyes. The next moment he chose to slide sideways and dodge the side, without any intention of blocking. The whistling scabbard was flying over his chest, hitting the painting on the wall, knocking down the entire painting.

This reaction speed is not like the old man who is dying.

While sighing with the horse, his body's movements did not slow down at all. He chased the scabbard that shot out and rushed to Zhenggang Shangquan and attacked.

Two knives collided in the air, making a crisp sound.

After blocking, Masato Shangquan immediately cooperated to retreat and withdraw his knife, and then immediately cut out another knife.

The interval between the two swords is very short. If the horse cannot hold back the force and let his sword press up, it will be afraid that it will be cut.

Block the second knife and continued to steer forward with the horse.

At this time, the idea with the horse was very simple. The old man was obviously better than himself in controlling the distance. He was really not the opponent when he was playing mid-distance and was not the opponent to cut himself.

Then press it up and fight with your hands and feet.

The old man suddenly shouted loudly, making Hema hesitate for a moment. The next moment, the old man's sword stabbed Hema's shoulder.

Although the knife did not break, it still hurts terrible by being stabbed like this.

The offensive with the horse was suddenly interrupted by severe pain.

"If it's a true sword that is used to open the blade, or if I use a little more force, your shoulder will be exhausted." Masato Uchizumi said, "But the idea of ​​having close-fits and hand-to-hand combat is good. Is this what I learned from the boy who has never been out?"

The one Masato Kazuki here is obviously referring to Ma Jianichi.

He Ma shook his head: "It's just a very natural logical thinking. I'm definitely not as good as you in terms of distance control, so just pull the distance closer and fight hand-to-hand combat."

Masato Uchizumi nodded, then looked back at the paintings and scabbards that fell to the ground: "Where did you learn this trick of throwing scabbards just now?"

I thought it was not learned by Ma Xin, but it was given by the system.

Of course, I can't say that, so he said: "I realized it myself. After all, I suffered a lot of losses in the Osaka incident before, so I just wanted to get a trick that could attack from a long distance."

Masato Kamizumi laughed: "It was my own thoughts. Do you know who the last person who came up with this trick?"

The black dragon trick has been lost in theory, and the last generation successor was Ryuma Sakamoto.

Later, the map that recorded this move was burned by fire.

As for who originally thought of this move, I don’t know.

He is just a kendo practitioner, not an expert in kendo history.

However, he knew that there was a person who was not a human being.

He Ma glanced at Tamamo.

Tamamo shrugged gently.

He Ma answered truthfully: "I don't know."

"Why do you look at the daughter of the Kyugiji family?" Masato Uchizumi asked with interest.

"Because the history of the Shrine Temple family is the longest among the people here, I think she might know." He Ma directly edited it.

Masato Uchiizumi raised his eyebrows and glanced at Tamamo and said, "Speaking of this, didn't the daughter of the Shrine Temple family say that she is a witch of the god? I remember there have been rumors that their daughter will become a living sacrifice of God when she is eighteen."

"How could it be," Tamamo said with a smile, "How could there be such barbaric customs in society now? My sisters are just following the tradition of the family, focusing on taking care of their husbands and children, and not showing up outside. My Japanese dance is still taught by my sister."

"Hmph, is it a modern society? It may be a modern society in Tokyo," Masato Uchizumi showed a disdainful expression, "but in those remote and closed places, there are things that will surprise you."

He Ma was attracted to Masato Izumi's face with a story and was about to ask in detail, but the old man turned the topic back to the original path: "This move was said to be originally found by Ryuma Sakamoto from the classics of Beichen Yidao. It is no longer possible to find out who created it.

"Of course, these are just said. After all, Ryuma Sakamoto didn't show his sword skills after he fell in love with pistols. He was still busy with reform and was eventually assassinated at a young age.

"In addition, the swordsmanship classics of Sakamoto Ryuma's family were burned down in the fire, so what is the truth is no longer verified. I don't know if the move you used is somewhat similar to the tricks Sakamoto Ryuma's back then.

"However, your thinking loop may be very similar to that hero in the reform."

No, I just learned tricks by relying on the system.

But he still showed a happy look - it was said in Japan that it was very similar to Ryuma Sakamoto, which is a kind of glory.

Masato Uenizumi stared at Kama: "I heard that you were in Tokyo before, holding AK and having a gunfight with Korean Jidao?"

"Uh, yes." He Ma scratched his head.

"It's true that it's very similar to Ryuma Sakamoto." Masato Uchiizumi smiled, "Do you think AK is much more useful than swords?"

That's indeed.

"But it is illegal to hold AK in Japan. In this sense, it is more convenient to have a sword."

Masato Kamizuki: "But even if you use your trick to launch a long-range attack, you can only hit one shot."

Shrugged with the horse: "I can wear a few more scabbards."

Masato Kamizuki laughed loudly, and after laughing, he set up a sword: "The chat has been long enough, and I have almost rested, come again."

He Ma suddenly realized: You are resting! The old man is cunning!

While thinking this in his heart, he said to Ma, "That, it doesn't matter if you have a little more rest. Just sit for a while."

Masato Uchizumi shook his head: "Now that I sit down, I may not be able to stand up."

He paused at the same time as the horse's movements and thinking, and then he looked at Quan Zhenggang and suddenly felt that the old man's figure brought a sense of sadness like a hero's old age.

"How much you can learn from me depends on your luck," said the old man.

He Ma subconsciously thought to himself, "Then you are showing off your unique skills", but he held it back.

But the old man seemed to see through Hema's thoughts and said, "Do you want to see my unique skills? Then let it go."

He and Ma were very happy and nodded decisively: "Okay, then I'd better obey my orders than respect."

Before he finished speaking, he rushed out, and he still shouted.

Suddenly, he noticed that Masato Kamizuki had a move in his mouth, and immediately turned his head to avoid the spray of saliva.

What the hell!

The old man had already arrived like a whirlwind, and cut seven or eight times in a storm-like speed.

He Ma was shocked because the old man even cut the action of Ma Ma to take into account the action of blocking the Ma Ma, allowing the knife to slide naturally to the starting point of the next slash.

If you don’t cooperate with the horse and interfere with it, the combo will be interrupted.

However, this continuous cut was too fast, and Hema could not seize the gap in interference.

Just as I had the idea of ​​interference in my mind, the old man's knife was in place, and the next blow came. I couldn't do anything but take action with the horse.

I don’t remember whether it was blocking the seventh or eighth step, the knife in Hema’s hand suddenly broke, half of his head flew up, and directly inserted into the door beam of the dojo gate behind Hema.

The old man's knife went directly over Hema's defense from the broken blade and placed it on Hema's neck.

But at the same time, he quickly and quickly sent the broken blade forward with the horse, pressing against Masato Kamizumi's belly.

Masato Kamiizumi: "Even if a person is stabbed in the stomach, he has a chance to survive. But if he is beheaded, he will definitely not survive."

He Ma nodded: "You won."

"Do you see my moves clearly?" asked Masato Kamizuki, who held the knife against the horse's neck.

As if he was not satisfied with the answer from Hema, he was about to kill Hema.

He Ma thought about it and answered truthfully: "You borrowed my blocking action to make the knife come into place quickly, and then used the speed of the attack to prevent me from having the chance to interfere with your move."

"What else?" the old man continued to ask.

After thinking about it with the horse, he suddenly found a point that he had not noticed before, and continued to answer: "You constantly exchange hands during the attack, so as to quickly issue some slashes that were not easy to launch."

The hilt of a Japanese knife is relatively long. Most people hold Japanese knife with their hands one by one, but the way they hold it constantly changes during the slashing process of Uchizumi.
To be continued...