"The struggle between light and darkness"

An untitled music has undoubtedly brought the "bialign opposition philosophy" to the extreme!

The double ultimate in form and content!!

Many listeners long for this "Ode to the Light" to last, but it is a flash in the pan, too short and short. After the band's disastrous concert, darkness once again enveloped the square.

The last minute was completely "supported to crawl" by several fragmented pieces of material.

From being angry but not being able to being lifeless, the whole movement ended in dead silence.

The real twist begins with the third movement.

“re/fa/la—xi/do/re/fa/xi—”

The horn hand blows out a lively, up and down D-tuned scherzo theme.

This is the "turning motivation".

A different color seemed to appear in front of the dark and chaotic tunnel.

It cannot be called "light", but at least, this color is lively and warm, unlike the night and chaos.

The turning point, Fanning regards it as hope!

The background of birth stems from the "sequential ideological influence" interviewed at that time.

It is connected by a transitional sentence of 5 bars and turns into a waltz melody in B flat major. Then, the viola leads to an endless satirical paragraph, and strange tones such as the carillon are also quickly added.

"Lesi is completely kneaded, and no note is not mixed and transformed. Each note is full of vitality. Everything is involved in the spiral dance. I don't discuss romanticism or mysticism here. Only the transformation and evolution between power and power are recorded. This is the process of humans who desire the glory of the day to show their vitality."

Fanning once interpreted this when guiding musicians to rehearse.

An amazing movement that takes up a quarter of the entire work's playing time.

Perhaps it is the largest and most complex scherzo music in the history of symphony that citizens have heard so far!

Although the beginning is filled with jubilant vitality and still forms a strong contrast with the tragic first part, the audience, as the subject of appreciation, is still sensible.

The most vivid manifestation of this tension is the strange mix of multi-musical styles: the twisted "Liandell" dance music meets the remaining motives of heterogeneity.

In the following unfolding paragraph, there is a motivational motivation for "attached points and staying - downward three tones" and a lyrical monologue interpreted by a melancholy tone.

They are always "disturbed" by various counterpointing voice parts, and even these messy trivial things completely overshadow lyrical monologues.

But when the music was so chaotic that it seemed to be out of control, the horn returned again with a full sound.

Listeners must reposition themselves in a mixed world, and in the end they find themselves doing this.

In the chaos and joking thoughts, I actually felt a firm self-spiritual satisfaction.

Then, Fanning's left hand drew ripples in the void, and the baton fell like a swan's neck.

The fourth movement, "Little Soft Board".

The string group floated out of the lake with extremely weak rhythms, and the arpeggio of the harp condensed into frost on the strings like moonlight.

The amplitude of the coronet is precisely controlled, and the unknown motivation is filtered out all edges.

The moving thoughts are flowing, slow, simple and quiet, making people intoxicated and unable to extricate themselves.

The narrative subject of the "Struggle of Light and Darkness" in the symphony is isolated from the world in the soft board, leaving only unreserved beauty, which is spread into the ripples of sweet and sour harp.

In the middle, the air smells of myrrh, the melody of the theme develops, and it constantly changes and falls into a sad tune.

"here"

The audience in the square had some memories, and some people in the band looked up.

A sad and beautiful sound shape, jumping upwards octaves and downwards 7 degrees, and climbing affectionately.

Look up and lower your head.

"Tristan and Isolde?'Gaze Motivation'?"

"The first meeting in bars 45-48 in the Prelude, and then the affectionate look of the hero and heroine"

Is the composer paying tribute to his previous work?

What was he thinking when he wrote about "Xiao Rouban"?

Do you use the sweetest tomato to make the bitterest poisonous wine?

Fanning's eyes stayed to his right for a moment, as if they were staying for a moment, but they moved back without a trace. Perhaps there was no intention of deliberately avoiding it. He just needed to instruct the percussion of the next section to take the shot.

The timpani drummer gently stroked the drum face with a hammer, which looked like the last heartbeat of a dying person.

The memory was suddenly cut off and the unforgettable part was cut off. There seemed to be a crisp sound of paper tearing in the void. The ice-cone arpeggio of the harp pierced into the lead voice of F major.

With a sigh, the theme reappears.

Looking back will eventually disappear.

At the beginning of the final movement, the narrative subject will inevitably fall back into the process of struggle.

“la—mi—la———”

The beginning is the three long notes introduced by the horn, which is almost the same as the "breathing motivation" in the "Giant" in "The First Symphony in D Major".

After Fanning led it out with a steady gesture, he showed an inexplicable expression of difficulty in discerning his emotions and cut his left hand down.

"Da-da-da-da-da-da-da-da-da-da-da-da-da-"

The clarinet blows out a lively theme written in a jump sound.

A small number of listeners in the audience laughed out loud.

Mr. Wax in the front row frowned and came to the leader again to report what he said.

"What's going on?"

"Have you found anything?"

The others around the laughing person cast doubtful eyes and couldn't help but lower their voices and speak.

"The other song in "The Devil of the Boy" is 'Praise of the Sublime Reason'."

These masters, poets, professors, music critics or folk scholars, some people reached out to cover their mouths and whispered a few words to explain.

"Where is it funny to praise noble rationality? A very profound poem title with philosophical meaning?"

"Oh, there is another translation, 'Praise for those with high IQ'."

"ah?"

"A fairy tale about the forest, the nightingale and the cuckoo sing competition, and then, a donkey was invited to serve as the judge."

The masters or scholars explain quickly, and then signal to continue listening and stop talking.

Such a depressing aura of death, such a serious struggle between light and dark, and unforgettable confession suddenly came such a "quotation". The key to this Master Fanning is really good at playing is that in terms of musical characteristics, it is not frivolous and quickly expands in a broad direction.

After the presentation part is turned into a quick-plate, the horn is played in four tones, and other musical instruments are imitated and developed.

Then, the cello plays the theme of eighth notes and performs fugue movement.

Fugue!

The main body of the final chapter is actually a fugue song!!

This is the rebirth of the Nirvana of the funeral marches of the first movement - the whine that was originally curled up in the C-sum key, was stretched into a brilliant fugue theme, raising its head in the golden sounds of the copper tube group!

The rest of the voices followed the cello and answered questions, but when most people focused on their "imitation into the shooting", some people also noticed that the original violin was playing another new and clear question!

No, not brand new.

This is a short-lived song in the first and second movements before, "The Song of the Light"!

However, now its form is a "crunch" or "gradual" version.

The overall speed is twice as fast as the meaning of chant is not that strong, but it is more like the lively tone of secularization and ruralization.

Various elements are like the convergence of rivers, and even a tender middle melody in the "Little Soft Board" is added, transforming into a march-like steel pace, forming a new fugue paragraph!

The power is constantly gathering, never ending.

It has undergone real variation and development, and exciting energy brews like a spring compressed to tighten.

At some point, Fanning's left hand suddenly grabbed the void.

The copper tube group roared in response, and the trumpet blew out the deformed theme motivation, the trombone was closely connected and should bite behind it, and the sound wave seemed to strike a cyclone visible to the naked eye under the sky of the stage!

His polyphonic skills are miracles in the audience's ears at this moment. The double and triple fugues collided in the torrent, and the tearing sound of string music created a strong oppositional climax!

The struggle between light and darkness?

It is precisely the ancient proverb that has been passed down from the era of the "Great Palace School": "As it is above, as it is below; as it is inside, as it is outside" The original and initial purpose of the whole song is awakened, and the Fugue theme completes its ultimate transformation at the last moment!
Chapter completed!