The relationship between the two was capricious, the love and suspicion that had alternately fluctuated, and the uneasiness and torture in their hearts made him unable to extricate himself.

In the 14th song, "The Hunter", the music turns into the rare black C minor, the piano enters directly with strong force, and plays continuous eighth notes with a compact breath, and the protagonist's love rival, the Hunter, appears.

"The hunter was searching everywhere by the stream, why didn't the arrogant hunter go to the forest?

There is no trace of the wild beast here, only a deer belongs to me.

If you want to see my tame deer, put your hunting rifle in the forest,

Tie your hunting dog at home and don’t let the horns get hustle and bustle!…”

The girl's tone changed from a sedate to a desperate plea for fate. In the fifteenth song "Jealousy and Pride", the piano kept running the sixteenth notes, and the dotted rhythmic double tones kept splashing out. This emotion became a capriciousness between the luck and the rage of the qingcun:

"Where are you running in a hurry? Dear Little Creek, are you going to find the hunter to reason?

Go back, go back!

I don’t care about the frivolous behavior of the mill girl in order to love her. Go back, go back!

She didn't stand in front of the door last evening, nor did she look around and look for others.

When the hunter galloped past her door, she could not see her figure appear in the window!”

Master Luket, who had been silent in the middle of the judges' seat, finally picked up the "bouquet of flowers" by the table with his students and followers.

Then, the movements still stagnated in the air, looking at the girl in the blue skirt on the stage without blinking.

He has been so long that he has not been deeply moved by such emotions in an art work.

The beginning of this work of Scheller is so lively and bright that the first ten songs only use one A minor. Here, the direction of the tragedy makes the emotions turn sharply. There are not many c minors and g minors arranged in two consecutive songs, creating an extremely shocking effect!

The long-lost shock and touch!

"Go, creek, go and tell her, go, creek, go to her place.

It's okay if I don't say it, but I can't find the right words.

Just say: He made a reed flute for you, which can play charming dance music for you.

Go quickly! Go quickly! Go quickly!!!..."

Miss Nightingale shouted on the stage in her dress, and the protagonist, who suffered huge love trauma, began to become sensitive and melancholy, and became even more worried about gains and losses.

In the sixteenth song "Cute Color", he was still pursuing the other person's preferences when he fell in love with his lover, trying to make her feel change, but immediately became the seventeenth song "Hateful Color". The piano tapped the single note with his left and right hands, and the melody in B major spanned from #D in the small characters one after another to #F in the small characters two. The repeated ups and downs of the ten-degree interval vividly portrayed the psychology of turning from love to hate, and also foreshadowed the tragedy of the whole song.

The eighteenth poem "Wind Flowers".

The tone returned to the simple G major, and Walter quietly tapped the repeated and regular chord sequence through his hands, using the rest symbol.

"She brought countless flowers, all placed on my grave,

She seemed to understand my sadness, and let tears flow down her face.

Why do her flowers wither? Why do her flowers die?

Oh tears cannot revive love, just like this withered dead branches…”

The audience stood blankly, watching Miss Nightingale singing lonely and the plot of the long poem evolved here and turned into a complete love tragedy, because the beautiful mill girl loved not the protagonist, but a handsome hunter.

A series of descending notes flowed out from Walter's fingertips, with extremely sad melodies and a sad heart.

Then the tone changed to the same name G minor, and the 19th song "The Grinder and the Stream", Walter's playing was slower and more stagnant, with one note on the left hand and one note on the right hand, and the stream that was flowing in the past seemed to freeze into ice.

"When the infatuated heart finally calmed down, the lilies in the garden had withered,

The bright moon hides in the clouds in the sky, in order to cover its sorrowful face full of tears,

The happy little angel also closed his eyes and used the eulogy to calm his soul.

When there is no longer the grief in love, a new star will be born in the sky.”

The protagonist tells the story to his former partner Xiaoxi in the first paragraph, and then the music returns to G major, and the thin accompaniment becomes a flowing sixteen notes again.

The stream seemed to comfort him, swaying calmly, clearly and softly.

"...Ah, Xiaoxi, my dear Xiaoxi, these words are so beautiful." An Zai smiled and shook his head, then responded softly,

"But you know that this is my love."

Fanning, who had been sitting silently in the corner, turned around as she looked at her blue back, and walked towards the piano and sang in a low voice:

"I wish to rest in your cold waves,

Oh, the stream, dear stream, you sing non-stop

Oh, the stream, my dear stream, sings never stop."

So the audience discovered that the girl had finally finished her performance and returned to the piano and stood quietly.

"Beautiful Mill Girl"... Why can this Mr. Scheller write such a poignant work with a layout technique based on major? Why is such a warm and singular encounter ending with such a tragedy!

Damn it, this Schelle wrote "Court Love" to this level, and she was simply heartless!!!

Just like "love is a question" it makes people sleepless all night!!!

There should be another poem, but the protagonist is dead and the narrative poem has ended.

The 20th song, "Lullaary of the Stream".

Walter played classical four-part harmony with his hands, the high and low parts were the gentle lines of the two notes, and the tender and swaying dot rhythm filled in the middle.

"Sleep peacefully, sleep peacefully, close your eyes, and the tired wanderers will no longer travel far.

True feelings will never fade away, the sea swallows the stream in your arms, may your heart be calm.

You will live in this blue crystal palace, sleep on the soft pillow and stop awakening.

It ripples gently, like the shaking of a cradle, so that the wandering children can enter their dreams safely."

The unique color of E major is outside the G major with the closed loop of the beginning and end, which shows that Miss Nightingale finally sang the last song from the perspective of the narrator Xiao Creek.

"When the hunter's horns blow, my waves will be very buzzing for you,

Forget me and don't look around, so as not to feel affection. I hope you will let him have a good dream in his sleep.

Let's go away, leave the bridge path,

Girl, although you are beautiful, cruel and ruthless,

Your figure will disturb his peace.”

Each time the last sentence of the lyrics of the verse song is repeated, the swaying harmony fills temporarily, and the piano part becomes a weak and neat major chord accompaniment.

The protagonist's life will not only return to peace, but his experience, his labor, and his love will also be gradually forgotten by his lover.

"I hope you can leave your white handkerchief,

So that I can use it to cover his unclosed eyes;

Night, night, wait until all things wake up, you will forget joy and sorrow,

The moon rises at the beginning, the night fog is misty, but the sky looks particularly vast and pure…”

In the last two bars of music after the vocals, the rhythm of the piano attached to the dots rose again, and the stream still flowed until it disappeared in the distance.

Walter stood up and saluted, and Luna, who was writing the score, carefully learned his movements.

Miss Nightingale leaned her eyes to the corner of the stage, and she regained her lively and cheerful smile and looked at the figure with only outlines in the dark.
Chapter completed!