The last song, "Dialogue between the Wind and the Sea".

The uneasy timpani roll and the confluence of the low string section start a dialogue between the sea and the strong wind.

The audience was involved in a small boat in the stormy sea, with lightning, huge waves, whimpering, waves of turmoil, trumpets shouting, evenly matched opponents roaring, intricate thematic development, and magnificent strange scenes.

The music gradually reaches a climax.

Finally, the gentle and clear main chord of D flat major arrives, and the golden sunshine shines through the dark clouds. At this moment, the sea is no longer as oppressive and calm as the first movement, nor is it dangerous or hysterical.

The strange and magnificent last scene of the seascape is forever frozen with the short and powerful accent of the band.

"Bravo!" The moment the musicians made a chic ending gesture, there was thunderous applause.

The last thing everyone saw seemed to be the sea after a storm.

It is strong, powerful, and broad, making people want to open their arms, embrace the sea breeze, and sing loudly.

It seems like you are back to the starting point, but you are in a new state of mind, feeling happy and gaining something.

It's like going through a baptism!

Although everyone had some expectations of the repertoire of this closing ceremony, they never thought it would have such a big impact!

It does not preach about balance and moderation, does not pay attention to heavy historical narratives, does not impose humanistic shackles on the viewer, and simply brings the audience the ultimate experience and enjoyment of beauty.

Sensory, emotional, aesthetic, as well as musical cognition and thinking, everything has been reshaped.

Fan Ning took his final bow amidst airtight applause.

Originally, according to the normal rhythm and normal response, he would definitely not be able to get off the stage for a while today. Fortunately, the interactive session was arranged in advance.

Catching a moment when the applause slowed down, the staff quickly entered the venue to set up the scene.

Next, about half an hour will be left for reporters from the partner media to ask questions. Of course, some VIPs and lucky fans will also be selected to speak and communicate.

It is equivalent to holding a mini press conference while the heat is still there.

The time is short, but the number of people is extremely large, and the influence will spread quickly.

After all, there are many important follow-up developments that need to be announced, and Fan Ning has only communicated through music for ten concerts and has never spoken on stage. Everyone is looking forward to it.

"Conductor Fan Ning, you once said that you are not an Impressionist, but you only expressed your importance to this trend of thought. However, due to the series of attainments you have demonstrated in these modern sound structures, you have actually made great achievements in these Impressionist painters and music.

I have the status of a leading figure in my heart, will you admit this fact?"

"Mr. Fan Ning, it's not a question, it's just a sigh. Your "The Sea" has completely aroused my imagination of the unreal beauty and the world of doubt."

"How is the current progress of your music rescue plan? Is it for part-time study and education, or is it a plan to perform on stage? If it is the latter, can they really meet the needs of professional performances?"

"Can you please disclose the financial status of the team that has been established for more than two months? Can the high market response meet the same high treatment standards?"

"What are your expectations for the orchestra's fourth-quarter ranking evaluation?"

…

The interaction went on in an orderly manner. In the last five minutes, Don Yetus, the editor-in-chief of "Tioline Cultural Weekly" asked: "The old symphony orchestra under your leadership always has endless highlights. Can you tell us about the New Year's concert?"

What should we focus on most?”

The audience for this question was obviously close to 100%, and for a while the entire symphony hall was holding its breath waiting for a reply.

"It will open tickets seamlessly from tomorrow, and the repertoire will follow the elegant tradition of the birthplace of serious music, presenting several exquisite Janus style waltzes, polkas, marches, etc., but..."

The turning point is always a highlight. Fan Ning smiled slightly: "Everyone can have more expectations for the last single-movement work."

Don Yetus' eyes lit up and he asked: "Single movement? What kind of work is this? There are only more than ten days before the New Year. Can I think that its creation has been finalized and is already in the rehearsal stage?

?”

"Since tomorrow's ticket opening will naturally be accompanied by the announcement of the track, I don't mind telling you the name tonight: "Choral Fantasia in C Minor." Fan Ning said.

It is Beethoven's first attempt at "Beijiu", a wonderful and great work known as "Little Beijiu" (Op.80).

Media reporters took note of the key points one after another.

"Obviously, it needs a choir." Yetus, who was standing in front of the 8th row of distinguished guests' seats, smiled. "Having a fantasy in the New Year is a very romantic thing."

"Of course, it's written for piano, orchestra, male trio, female trio and choir, and our choir makes its debut in the climax of the piece." Fanning said with a mysterious smile, "And its more specific music

In terms of vocabulary, you can think of this as a small tribute to the great master Gilles, and also as a preliminary attempt on my part to write the next symphony."

"Choral Fantasia in C minor, with its wonderful form and orchestration, is a tribute to the great master of authenticism on the occasion of the New Year. It is very exciting and exciting..." Yetus responded with a professional compliment, but immediately caught a trace of something wrong.

"...Wait, orchestra, chorus, tribute to Gilles, a preview of the second symphony?"

Each of these elements is quite normal, but combined?…

Combined???

"Of course, C minor has a certain complex for me. After the experiment is over, the next symphony will also be in this key." Fan Ning held the sheet of music in his hands and smiled frankly.

!?!?

The air in the symphony hall became quiet for a while.

Representatives of extraordinary organizations present, famous artists and several masters, reporters from mainstream media, aristocrats from high society, big factory owners and business owners... celebrities and music fans from all walks of life all looked at the people next to them to confirm.

The reporter from the "Hoffmann Gramophone" nearby forgot for a moment the etiquette of taking turns to ask questions.

He spoke with a trembling voice of excitement, taking this topic one step further, which was more explosive than all the trends so far and capable of stirring up major public opinion around the world. Moreover, he increased the tone of the two numbers in his words:

"I... put it another way, can I think... you are preparing to join, phew... I'm sorry, I'm a little nervous... you are preparing to join in the final movement of the "Second Symphony", like Gilles' "Ninth Symphony"

Join the chorus?"

I’ve written too much again, so I’ll just post it~

The set list has been changed and updated, and the order of the ten concertos has been rearranged according to the order of the concert in the plot.

Then, Debussy’s “La Mer” and Beethoven’s “Choral Fantasia” in C minor were newly added.

Everyone can listen to it, especially the Beethoven song at the bottom of the playlist, "Little Bay Nine" is really super nice, a quick version of Ode to Joy!!
Chapter completed!