During the long process of climbing the steps, he suddenly recalled something and reached out to his bloody trouser pocket.

This is the most expensive pants in his formal clothing stock. In addition to his premiere tonight, the last time he wore it was at the end of last year.

He touched the hard paper folded into a small piece of cube and took it out.

Gould's New Calendar Piano Solo Tour in 913, Ulfransell New Year Concert Station, No. 15, 8th row, single number side on the first floor, ticket price 12 pounds.

The old pianist's curled up performance posture appeared in his mind, the majestic and noble sound building under his fingertips, and the scene of holding the piano to bow deeply to the audience after the performance.

Finally, the scene of having just been in a deep pit on the stage, my limbs broke and I couldn't turn over, and I kept repeating the scene of myself escaping quickly.

"Continue to play your piano and write your music"

Fanning took a deep breath and stepped out the door of the symphony hall. There were long-lost lights in the corridor, several familiar and worried gazes in the crowd, and countless photography stands outside the police blockade.

It's very noisy here.

Thunderous cry, painful wail, fierce argument, meaningless scream.

Dozens of people who looked like journalists shouted at themselves in the noise of the crowd, and a lot of questions from all sides hit Fanning, both of which were insignificant and most pressing questions at the moment:

"You are Mr. Fanning, who just premiered "The First Symphony" outside the square, right?"

"Is there anyone you like among the musicians participating in the show?"

"You killed the monster that attacked the students inside?"

"Mr. Fanning, did you become a composer first, or a wise man first?"

"Mr. Fanning, you gave up the graduation concert before. Did you know that monsters would attack the concert hall?"

"Is there any hidden truth in this?"

"Are the principal and the dean still inside?"

"If someone wants to collect your manuscript of "The First Symphony", what is the lowest price in your mind?"

"Will you stay in school to teach after graduation? What position do you think you can get?"

"When will the next time I officially perform "The First Symphony"?"

Fan Ning slowly stepped out of the cordon, reached out and pushed away the crowd, and slowly uttered a few words with fatigue:

"Let's talk about it, I'm tired."

He drooped his eyes and dragged his lead-like steps to return to the nearest Professor Anton's office.

Lock the door, wash away the blood from your face, and fall asleep directly on the wooden floor.

This is a long, deep, dreamless sleep.

Fanning didn't open his eyes until after four o'clock the next afternoon.

The sunlight that was already westward passed through the window, leaving rows of grids on the ground.

I was particularly hungry in my stomach and all the inspiration was restored.

A thick stack of spit out under the telegraph machine in the office, and he quickly brushed it away one by one to find reports about the incident.

The latest data released by the police showed that the number of deaths confirmed by students was 95.

It actually didn't exceed 100, accounting for only one-twentieth of the total number of listeners.

They mainly included the first group of people who died of mental or physical collapse before Principal Stnike and other three attacks, as well as those who jumped down from the second and third floors and those who died of trampling.

Originally, nearly 70% of the affected audiences should have ended up going crazy and dying afterwards, but the other end of their inspiration was previously influenced by Fanning's "The First Symphony".

After the special inspection department and the school used stable mental means to treat it, their mental pollution was easily eliminated.

Deep sleep, recovery of inspiration, and lower than expected death and injury data, these factors have made Fanning's mood change from a simple heaviness to a complex state of mixing heavy and relieved.

At least on the evening of May 24, he gained all the revelations he longed for, and did everything he could.

But some pictures will be played back in your mind as soon as you close your eyes.

The origin of the mysterious chords in the sequel to the sequel, the death of Teacher Anton and Dean Gould, and the work archives of his father

He looked through the manuscript of "The First Symphony", and the teacher's handwriting in the last movement is still there:

“In the end we talk about, the ending of the music is only a false ending on the surface and in a completely sense. My intention is to express a struggle that sometimes people think that victory is near, but in fact it is out of reach.”

"The sound of hearing is indeed brilliant, but the fighting spirit of giants actually disappeared in the end. Victory has nothing to do with him. His era is either gone or has not yet arrived."

Fake victory?

It's just an end.

Reactions from the outside world came like snowflakes and paper. The school’s official accident notice, the special inspection department’s commendation notice within the organization of the intellectuals, thanks and praise letters from all walks of life, news messages, media music reviews, event invitations, and classmates’ inquiries Fanning became the one who turned the tide in the graduation concert “monster attack incident”, and was officially identified as “young composer” in mainstream music reviews.

In contrast to the more respectful or kind-hearted titles in social interactions, when this word appears in written terms, the school, art world, news media and music critics are often used with extreme caution and restraint.

The subtle hierarchy gap between various titles of composer, young composer, famous composer, great composer, great composer, great composer, and great composer is a difficult leap forward every time.

"St. Lenia University Journal" said that the premiere of young composer Fanning on the Meyer Avenue was a "tribute to the master" and a "feat that can be recorded in history". It also said that "The First Symphony in D Major" became "consolation and light of hope" in unfortunate events. The school brought "luck in misfortune" to add such a large-scale orchestral work that "either classical technique and humanistic heritage are perfect" to this year's school history.

From the perspective of business and popularity, "Uvrancier Art Review" predicts how many flowers and praises "The First Symphony" will bring to young composer Fanning, and also predicts that the publication scores of him and his teacher Professor Anton will usher in a wave of sales increase.

"Hoffmann Gramophone" believes that looking at the creative process of many composers, few people have shown a mature and strong personal vocabulary in their first symphony. "It has both flowers, fruits and thorns, as well as resistance, questioning and sublimation. In fact, when we appreciate the subsequent symphony works of young composer Carlon Van Ning in the future, we may find that as early as in "The First Symphony", he has initially formed all the personal qualities he should have formed."

The "Tiolian Cultural Weekly" does not use too many strokes to describe the symphony itself, but calls on the art world to re-examine the artistic personality and value of the famous composer Anton Conner. The article lists the historical stage of works when the works are cold. The author believes that "the reason why the pioneers of art are pioneers is because they cast the spears of music into the fertile soil in the distance."

At least, the change has begun, hasn't it?

...

More than 20 days later, on the evening of June 17, the Symphony Hall of the Conservatory of Music.

The broken building of the auditorium has not been restored yet, and a postponed graduation concert has been held here again, with 1,400 seats never as congested as it seems now, with corridors, steps, and aisles full of listeners.

The music moves from the awakening of all the sounds of nature to the spring fields and the singing of birds and the fragrance of flowers, from the simple and passionate rural dance to the meaningful forest funeral, from the hideous and terrifying evil thoughts to the hero’s struggle and death.

Seven horn players stood up at the end of the final chapter, blew the elegy that symbolized divinity and purification. The band ended with a brilliant ending with a strong blow, and the audience burst into cheers.

The lights were on, and Fanning, wearing a tuxedo, waved upward arcs with both hands, signaling the band to stand up.

He turned around from the podium and saw that the students in the audience, like the people in the corridor, had all stood up. The sound of more than two thousand people was extremely loud. The Hoffmanian version of "Bravo" sounds were heard one after another, and they were about to overturn the roof.

Fanning first bowed to the audience, then walked down the podium to shake hands with the violin chief Sheeran. At this time, boys in black dresses or girls in various gorgeous long skirts began to go on stage to present flowers.

He thanked him from both sides and instantly took five or six handfuls. After gradually unable to take it, he gave it to Sheeran, who was closest to him, and to Roy who was a little further away, and the front row musicians of all the string musicians.

Later, the bouquets were received more and more. Fanning began to bow and send them to the wind music section behind him. The boys and girls were still running on the stage, but the scene gradually became a little congested, and many people gave it to their favorite musicians.

Fanning, who couldn't stand it, returned to the forefront of the stage and then temporarily left the stage, sorted out his appearance in the dim aisle.

The scattered and noisy cheers outside gradually turned into uniform and rhythmic clapping.

Fanning returned to the hall and finished her curtain call for the second time. She saw that the stage had turned into a sea of ​​flowers, especially a hill was piled up around the podium.

He stepped onto the stage, raised his baton, reached out to flip the score, the symphony orchestra sat down again, and the hall returned to quiet.

In the return song, Fanning first chose the orchestra overture from Professor Anton's "F-Minute Mass", and used solemn music to commemorate Dean Gould who died more than 20 days ago and the dead who died. Later, he performed two waltzs in the style of Saint Janus Kingdom of the Western Continent, bringing back the mood of the students in the graduation atmosphere.

He left the scene, came out to finish the curtain call again, left the scene again, and ended the curtain call again, and it was repeated more than ten times before everyone was let go.

At the door of the cast and crew lounge, he was once again surrounded by more than a dozen large and small media outlets carrying photography equipment.

The editor-in-chief of the University of San Lenia, which occupies the main venue, asked the first question: "Mr. Fanning, you have shown your favor for title music creation in music salons and chamber music creation. So, is this "Symphony No. 1 in D Major", which is your pioneering work in the field of orchestral music, has the title you personally instructed?"

Fanning nodded, smiled slightly, and spit out a word:

"giant."

The night of the graduation concert is destined to be sleepless.

Lu reserved a full floor of the most expensive hotel in Uvransel for everyone as a celebration of the successful end of the performance.

Tonight belongs to flowers, courtesy, feasts, wine, and... the teenagers that Fanning once thought about, campus time and youth.

Then another morning.

West Gate of St. Lenia University, deep in Oak Street, Liufinas Gardens.

The sky is clear, the sun is bright, the sound of birds is like washing, the breeze blows across the face, mixed with the breath of soil and grass, and the fine flowers of various colors on the roadside are hung with dew, shining with a clear and crystal light like gems.

Sheeran, wearing a white gauze dress, squatted on the grass, holding the hem of the skirt with one hand and reaching the stone slab in front of the tombstone with the other hand, and setting out a small piece of open space from the middle of the colorful bouquets.

The flowers are bright and tender, and it can be seen that people have given flowers at the closest time.

She placed a thick black book among the flowers, which was the score of the "Symphony No. 1 in D Major" published in hardcover.

The summer wind blew across her cheeks, and the brown hair flew away backwards, and the score was blown to the point.

The boy in black formal suit stood behind the girl, slowly took off his top hat, and stared silently in front of him.

The text originally engraved by a plasterer on the tombstone has been filled with, and a dark gold-shaped bronze statue with half-body was cast on the black and white photos.

Behind the bronze statue is the "No Fire" symbol of the Holy Swordsman Church. In addition to the name and year of birth and death, the base also has a catalog index of works and an epitaph transferred from the original tombstone.

The words left by the boy were added to the second half of the sentence:

"His era will come, and some people will live after death."

(End of Volume 1)

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Chapter completed!