When he heard that Xu Qian was going to release a new album, Zhong Na immediately called Xu Qian: "Teacher Xu, are you going to release a new album?"

Xu Qian nodded: "Yes."

Zhong Na said: "That's when we consider our Yi Yun. For Teacher Xu's new album, our Yi Yun will definitely not be low."

Xu Qian said: "I will give priority to Yi Yun."

Zhong Na said: "So what is the name of Teacher Xu's new album?"

Xu Qian replied: "Chinese style."

Zhong Na: "Chinese style?"

Xu Qian explained: "Chinese style means adding some ancient Chinese allusions to the song as the creative background, using modern music to sing classical flavors, and singing in diverse ways. The style of music is biased towards traditional oriental performance, and some oriental instruments are added, with the tunes of the songs being gentle and round, and there is a traditional oriental beauty."

Zhong Na was shocked after hearing this: "Teacher Xu, you are going to create the world."

Zhong Na was a little surprised. Xu Qian was just trying to create a new style of music, which was really amazing.

Xu Qian wants to be a master of the world and is truly the leader in the future of the Chinese music scene.

Zhong Na said: "Teacher Xu, can I listen to it after you have created a song?"

Xu Qian said: "Of course."

Xu Qian's first album was "The Original Intention", and the second album was directly thrown out of the king, and this king was "Chinese Style".

He wants to shake the Chinese music scene.

The Chinese music scene in this world has been in a period of stagnation for a long time. Not to mention singers like Zhou Wang Lin Tao, even second-tier singers like Wu Kequn and Zhou Chuanxiong are all well-known here.

The Chinese style is closely linked to a fat man.

A fat man does represent an era, one dominates the first twenty years of the 21st century, and his opponents are definitely not weak, Leehom Wang, JJ Lin, Pan Weibo, Tao Zhe, Mayday, she, Feier Band, Zhang Jie, Xu Song, Jolin Tsai, Stefanie Sun, Xue Zhiqian, Eason Chan...

These singers are well-known in other eras, but living in Jay Chou’s era is a sadness. One person becomes king and everyone bows down.

If we are purely influential, Teresa Teng, Jacky Cheung, and Jay Chou are the only ones, and Faye Wong will be the only ones.

Some people say: Jay Chou’s most amazing thing is that he has become an irreplaceable part of his youth, just like those shining days never come back.

Jay Chou naturally has an ancient "storyteller". In fact, at that time, the first thing that occupied my heart was Jay Chou's other love songs. Their broad themes, unique moods, and full imagination stood out among the many popular songs.

His songs are rich in themes!

Diverse themes such as "The Coward" which opposes drugs, "The Terraces" which advocates environmental protection, and "The William Castle" which promotes Chinese Kung Fu culture, which is full of fairy tales and humorous imagination. It is based on Japanese culture, "Ninja" with strong Japanese style, and "The Sorrow of War" which is widely praised by many boys are all included in this list.

The Chinese style is truly formed by a fat man, or he is the master of great success.

In July 2003, Jay Chou released a very conspicuous work "Dongfeng Po", in the "Ye Huimei" collection. It is the first Chinese-style song that completely meets the six standards of "Three Ancients and Three New". The song brings out an antique Chinese flavor in all aspects. Jay Chou's singing laid the basic singing method of Chinese-style songs, and Fang Wenshan also laid a solid foundation for the new filling of the ancient meaning of Chinese-style lyrics.

Until Jay Chou, the Chinese style style of music has basically been formed - the lyrics have Chinese cultural connotations, and the new singing and arrangement techniques are used to set off the song atmosphere. The song combines the nostalgic Chinese background with the current rhythm, creating song styles such as subtlety, sorrow, elegance, and lightness. We have another choice to listen to music in the future, which can take us back to experience the music flavor that belongs entirely to China!

Regarding the "three ancients and three new" connotations of the song, the depth of the Chinese style should be based on Jay Chou's "The East Wind Break" as the watershed, and the Chinese style songs began to be established!

There are many songs about "Chinese Style".

Jay Chou's "The East Wind Break", "Tang, Song, Yuan, Ming and Qing Dynasties", "Blue and White Porcelain", "Fireworks Easy to Cold", "Thousand Miles Away" and so on all belong to this list!

Others include Tao Zhe's "I Can't Forget", Wang Leehom's "At the Plum Border", JJ Lin's "Jiangnan", Cao Cao", and Wu Kequn's "General's Order" also belong to Chinese-style songs.

Xu Qian is preparing to produce the album "Chinese Style" and is going to select songs.

"East Wind Break", "Blue and White Porcelain", "Jiangnan", "Nanyin", "Cao Cao", "I Like You", "Big Bowl of Wide Noodles", "General Order".

It seems that two strange things were mixed in.

"I Like You" is a Cantonese song, sung by Danny Chan. This song is actually Chinese style, or Chinese ancient style. Just like "A Laugh in the Sea", it is also Chinese style, but it is not as perfect as the Chinese style later.

"Big Bowl of Wide Noodles" is used to make up the numbers. Red flowers also need green leaves to be placed on them. This song is used as green leaves.

But to be honest, the big bowl of wide noodles also has strong Chinese-style elements, so it is not a topic.

The eight songs on this album can be said to be carefully selected, including Cantonese, Mandarin, and rap elements, which are perfect in front of it.

Xu Qian was the first to record "Dongfeng Po", which was a pioneering work. After all, this is the first song to truly establish "Chinese style" and the pioneering work of the "Chinese style" song.

Xu Qian is very attentive to this album, which is also an album that established his status. He was just starting out, so those classic songs did not play their best.

It's like a child dancing a dragon-slaying sword.

But now he has become a famous young hero-level figure. It would be different if he danced the Dragon Slaying Sword. At least he could shoot a laser. This is a must-pass path for him to officially embark on the path of a master.

Xu Qian was still leisurely in the following time.

Although his fans commented under his scarf.

"Waiting for the first day of Xu Qianxin's album."

"Waiting for the second day of Xu Qianxin's album."

"Waiting for the third day of Xu Qianxin's album."

"Waiting for the fourth day of Xu Qianxin's album."

.............

Xu Qian still lives at his own pace. First of all, he naturally sleeps, plays games, then writes, chats with Shui Shui, and then produces albums.

Time of day still passes very quickly. Finally, Xu Qian's first song was completed, and this song was "Dongfeng Po".
Chapter completed!